An independent magazine about the culture and media of combat sports. This is not the website of Vortex Sport, a promotion or a federation; we do not hold events, do not sell tickets and do not write about betting.

People and roles

People and roles

Viewers see two athletes on screen, but an event is made by many more people — from those who put the match-ups together to those responsible for the competitors' health and for the picture on screen. In this section we explain the roles at a combat sports event and how to work out from broadcast credits and press releases who was responsible for what. We do not name or assess specific individuals.

The most important people at an event often stay off camera. Their work only becomes noticeable when something goes wrong.

— From the editors

How this section works: we write about roles, not about specific people. There are no biographies, interviews or assessments of athletes, coaches, officials or organisers here — only a description of who is responsible for what and how it affects the event.

Who makes the event

Six roles that a combat sports event rarely does without.

Matchmaker

Pairs up competitors according to weight class, experience and level of preparation. Their work determines whether a bout will be evenly matched and worth watching.

Referee

Runs the bout in the ring or on the mat: enforces the rules, issues warnings and stops the fight if a competitor cannot safely continue.

Fight analysis

Judge

Scores the bout according to the criteria used in that format. If the bout does not end early, the judges' scores are combined into the final result.

Ringside physician

Carries out the pre-event medical check, stays close to the field of play and can recommend stopping a bout. Medical oversight is a mandatory part of the rules.

Cutman

The corner specialist for cuts: between rounds they help stop bleeding and reduce swelling so the competitor can continue, if it is safe to do so.

Commentator

Explains to viewers what is happening, reminds them of the rules and sets the tone of the broadcast. Good commentary helps you understand a bout, not just feel it.

Articles

How to read broadcast credits and a press release

  • Look for roles in the credits, not just names: director, camera operators, commentators, graphics — each has its own area of responsibility
  • Distinguish the event organiser from the TV channel or platform showing it: they are often different companies
  • The officiating team — referee and judges — is usually appointed not by the promoter but by the sanctioning commission or federation
  • In a press release, first find out who issued it and when: that is the main key to how to read it
  • Separate confirmed facts (date, venue, official result) from promotional wording and promises
  • If a person's role is not officially stated anywhere, do not try to reconstruct it from rumours and guesswork
  • Events

    The kinds of combat sports competitions, how fight day works and how to verify an event announcement.

  • Fight analysis

    How to break down a fight without betting and how the rules of different formats differ.

  • Archived address: press section (in Russian)

    What used to be at the archived press section address and how to read a sports press release.

Sources

  • International Olympic Committee — history of the sports
  • Encyclopaedic sources on the history of boxing and combat sports
  • Association of Boxing Commissions — Unified Rules of MMA
  • Encyclopaedic sources on the history of sambo

Historical information is based on open official and encyclopaedic sources. Sporting rules, weight classes and competition regulations change — check them on the official websites of federations and organisers.